Samuel Johnson Woodfire Workshop
In this six day workshop we will explore reduction cooling techniques. Potters will arrive with bisqued pieces. We will spend the (Monday, day 1) first day discussing and applying slips and glazes while considering their relationship with reduction cooling effects in the kiln. We will discuss wadding techniques with attention to how the pots will sit in the kiln and how wadding can affect firing results. (Tuesday, day 2) we will load the kiln and continue our discussion of wadding effects. We will load in a way to increase clay effects – stacking, firing upside down, putting works in relationship to other works. We will use a (special) fire clay wadding, fired wads, sand, and other materials to enhance loading (preheat kiln). . (Wednesday-Thursday 3-4)We'll fire the kiln in shifts for approx. (36?) hours.
While the kiln cools, we will work together and discuss ideas and philosophy around making. Sam will share his thoughts and techniques born of his acknowledgment that clay and fire are both irregular and natural - at once comprehendible and wild. We will explore this mystery together in conversation and real-time making.
Students can bring clay or use up to 25lbs of ^10 from the studio. Students can choose to take damp pots home or bisque fire at the studio for an additional charge.
On (day 7) we will unload the kiln and discuss our results. We will also conduct a general clean up of the kiln area before check out and departure.
This workshop offers lodging -- a stay in our comfy guesthouse, where artists will share a kitchen and bathroom. Artists are asked to bring to bring food for their meals. We will enjoy some meals together, potluck style. The studio will provide a celebratory dinner on the last night of the workshop. Please share food preferences and/or plan to provide an entree that serves special dietary needs.
Please visit the Guesthouse page for details about what to expect as an overnight guest.
There is also an option at checkout for daytime students.